
Sure, it’s great to get the Jay-Z stamp of approval, but Jay lives in a penthouse in Tribeca or something (in our mind dude has like 18 houses- recession be damned). The man isn’t exactly down with the underground anymore.
So it’s nice to see some more, shall we say “indie” rappers also show their love for the G.B. This week Kidz In The Hall leaked the first song from their upcoming Professional Leisure Tour mixtape and to our surprise it was not a bass-heavy trunk jam but a bragacodio-filled re-interpretation of Grizzly Bear’s “Two Weeks.”Check it out here.
This should come as a particular comfort to Grizzly Bear fans, who are still mourning the recent loss of Ed Droste’s Twitter account. The fine folks at Hipster Runoff gave a pretty stellar eulogy of Droste’s departure from the Twitterverse…
Edward Droste (1982–2009)
a Eulogy
Edward Droste, creator and CEO of the popular indie band Grizzly Bear, committed suicide in November of 2009. He is survived by Victoria Legrand, lead singer of the band Beach House. She has vowed to avenge his death by claiming Pitchfork’s album of the year in 2010. Ed has three surviving bandmates, Daniel Rossen, Chris Bear, and Chris Taylor. They have decided to dissolve Grizzly Bear, and continue performing as ‘The Department of Eagles.’ In 10–20 years, they will consider Edward was always known to throw down a solid meme, and was one of the initial supporters of the chillwave movement. In 2 short months, Edward would have found out that Grizzly Bear’s 2009 album Veckatimest was controversially voted the #1 album of the year after a voter fraud scandal in the Pitchfork offices.
(Via: Nah Right & Daily Swarm/Hipster Runoff)
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Photo: Autumn DeWilde
Have you seen Spoon live? They’re crisp, like say, a delicious pastry. They are absolutely not one of those bands who anyone could ever accuse of “studio magic” because their sets beautifully recreate these little jams they have come close to perfecting over the last decade of making indie rock. Well, they’re doing it all over again with Transference this January 26, and surrounding that release date with some live shows. One date is even with Jay Reatard, which is sort of like an experiment on what happens when organized sound meets sonic chaos. So we think everyone wins.
12.03 Kansas City, MO @ Midland Theatre
12.04 Boston, MA @ Orpheum Theatre #
12.11 Portland, OR @ Crystal Ballroom *
12.12 La Jolla, CA @ RIMAC Arena
12.31 Milwaukee, WI @ Riverside Theatre !
02.14 Glasgow, Scotland @ King Tut’s
02.15 Manchester, England @ Academy 3
02.16 London, England @ Electric Ballroom
02.18 Amsterdam, Netherlands @ Paradiso
02.19 Cologne, Germany @ Luxor
02.20 Berlin, Germany @ Franz Club
# with Phoenix, Passion Pit
* with Black Joe Lewis
! with Jay Reatard
(Via: P4K)
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Make all the Williamsburg hipster jokes you want, but there have been few sweeter deals in recent memory than the Jelly Pool Parties. They’ve resided in parks within Brooklyn’s music mecca for a half-decade now, but are in jeopardy at the moment because the New York State Parks Department and the Open Space Alliance says their current home at the East River State Park may not be available next summer.
Among others, U.S. Senator (and BK native) Charles Schumer is fighting to keep the concert series alive. He even invites you to give him a ring at 212-486-4430 or email him at phil@schumer.senate.gov to support his efforts. So maybe leave out the details about all the stuff you were hopped up on when you saw Girl Talk, but tell him how the Dirty Projectors show changed your life. Otherwise, while No Age and Dan Deacon may be on the same bill at some point in the future, you may ahve to (gasp) pay for it. (Via: Paste)
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We can’t imagine the folks over at NME altogether hated New York Magazine’s current cover story detailing how New York once again became an epicenter of musical creativity (hint: use rent prices to force nearly every struggling artist and venue into one borough, have loft mixer or something). After all, it did get MGMT on the cover. And the Brits seem to love those crazy chaps and their face paint. But they also don’t seem to want to let New York (the city or the mag) get too cocky. So they released a list today (their top 100 albums of the 2000’s) crowning The Strokes 2001 debut Is That Is? as the high watermark of the decade and reminding the city that their best music is behind them. Suck on that, Longstreth. (Via: NME)
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