Greatest Songs At This Moment — The Hives’ “Fall Is Just Something Grownups Invented”


bestsongs

Greatest Songs At This Moment–The Hives’ “Fall Is Just Something Grownups Invented”

Dedicated to those songs that I can’t stop playing, humming, or thinking about; the 4+ minutes you fall head-over-heels in love with. Past instances have included The Rolling Stones’ “Honky Tonk Women,” The White Stripes’ “We’re Going To Be Friends,” and Rufus Wainwright’s “Foolish Love.”

I guess I’m a little off in my timing, listening to a song about the beginning of school during the time of year when school is letting out. Like listening to Christmas songs in August, my obsession has more to do with my fixation on the Hives themselves and their weird logical leaps than with actual calendar-backed facts. Even though I am married to a teacher, have retired teachers for parents and I hang around schools many times during the year (not like that), I still find that this point in time most perfectly suits “Fall Is Just Something Grownups Invented.” Even though the message of the song is — on the surface — anger at returning to school, the mood of the song is joyful, and what’s more joyful than the beginning of summer? Paradox? Sure, but it works.

I have no excuse for loving the Hives as much as I do, and I therefore offer little apology. They are like a hybrid of my two favorite bands, wedding the Ramones’ style and humor to a Mick Jagger-like front man. I never stood a chance at resisting, but I doubt I would have fallen as hard in love with the band if not for the strange underlying insanity that is the Hives’ artistic voice. This voice could be simply chalked up to their mishandling of the English language (”The Hives are law! You are crime!”) along with their reckless abandon with which they use their second language. But as I’ve dug deeper and deeper into their catalog — yes, there’s room to dig — I’ve become more convinced that they’re either so smart they’re dumb or so dumb they’re smart and then dumb again. If you followed that, you have my pity. Your world will soon be consumed by another paradox of Hives logic, heretofore known as “logic,” with sarcastic quotation marks in tact.

“Fall” was written for Cartoon Network, presumably as a kids’ song for their commercial tags. Outside of just making a cool song for a cool commercial, I’m not sure what the marketing scheme was behind this decision. Was Cartoon Network selling Fall? It’s not unheard of, as Fall is the time for traditional premieres of new shows. But the sentiment of the song implies that we should be upset it’s Fall (or, in the present, will be some day). Unless you’re MTV, you have a hard time selling something while telling people they should hate it. Fortunately, MTV and Cartoon Network are owned under the same company, so maybe this works. However, it raises the very core idea that makes the song problematic and charming: the idea of fighting an idea.

It makes “Fall” a perfect kind of kids’ song, dealing with abstract ideas which are crystal clear, yet fall apart under the slightest scrutiny. Of course the idea of inventing a season is as ludicrous as launching a war against the feeling of terror, but it’s a fun idea. In a way, the Hives have provided children with a safe kind of conspiracy. Normally the Swedes sing about how giant corporations are programming us into consumer robots who don’t think for themselves. To a kid, the biggest corporation around is adults, so to vilify them is not only easy, but essential.

The fun part of the song comes in the fact that singing along removes yourself from the titular group, even if you’re a 33-year-old grownup father-to-be 15 years out of high-school. With this song, you (who are we kidding here–I) can still be pissed at the adults who made up time period of every year I most hated. I hated school. I loved college, but something about the organization of education always rubbed me the wrong way. I think I was scared of teachers because my parents were teachers (I had my own mother for not just one but TWO English classes throughout my high school career). I knew what my parents were capable of, and I assumed the same powers upon other teachers no matter how incapable they were. We had some pretty ridiculous teachers at my high school; some were as oblivious to mischief as Elmer Fudd during Duck Season. Yet I never misbehaved. It would come back and bite me in the ass eventually. I couldn’t fight City Hall. My problems wouldn’t be solved by messing with this one teacher. I needed an entire system to change.

Obviously, I’ve hung onto these feelings for quite a while. It’s a strange brand of nostalgia where you allow pissy feelings to linger so much that you’re happy you have a way to let them go two decades after the fact. That’s probably just the power of music in a nutshell; I haven’t thought about these feelings for years, but once I’ve been allowed to feel this way again by way of a song I love, here they are again, not only resurfacing but being spit on. This justifies loving a “kids” song containing the phrase “Halloween is the ass” and not getting upset. While the content may not be 100% kid friendly, the spirit feels kid inspired.

Even though it’s a technique they’ve used more and more as of late, I love the way “Fall” starts with the slow lamenting tune about how we’ll all be returning to school again. “We?” asks the older fan, feeling threatened. As an answer by way of changing the subject, the song picks up the pace while Pelle Almquist “teaches us” about the truth of the matter while borrowing from the most rock ‘n’ roll line ever: “So I better do it now before I grow old.” The rest of the band kicks in for the first half of the chorus, then drops off for the punchline, and I use that term specifically. This is a joke in execution, not just material. It’s not enough to simply say that Fall was invented by devilish, fun-hating grownups; The Hives make it a full on kid-sized conspiracy. And that, to me, is even funnier. Children don’t enjoy many conspiracies of their own, so to not only deliver one but deliver one on par with a fake moon landing feels huge enough to reach comic proportions.

This is what the Hives do better than any other band. They aim high and then reach even higher and pretend they want to go even higher than that. Any reasonable person will tell you that a rock band, no matter how powerful, cannot change the world, yet we like to believe it’s possible. The Hives play on that mentality. They act like they’re enormous stars even though most people don’t take them seriously or know they exist. They take that B-List status and carry themselves like the Dukes of Music. THEN they act like they — the royalty of rock — will survive nuclear explosions and impending global catastrophes by way of their ability to play really loud. They get more ridiculous, and then more serious, and then more serious, which becomes even more ridiculous. They are then free to make wild declarations like “Fall Is Just Something Grownups Invented.”

THE POINT OF ALL THAT IS… the title and chorus are a punchline. When we hear it, the music and “Oh’s!” hit us in full glorious effect. Out of the silence comes the tidal wave of punk rock with a snicker behind it. That riff feels like a crowd laughing with an insult comic. They just told a line on someone’s mom, and the crowd responds. I respond. By the end, I chant along with their chorus chants, wishing that I had something to rebel against for real but not really.

Written By Phillip Mottaz

Posted in BlogComments (0)

Greatest Songs At This Moment–Sinead O’Connor’s “No Man’s Woman”


bestsongs

Dedicated to those songs that I can’t stop playing, humming, or thinking about; the 4+ minutes you fall head-over-heels in love with. Past instances have included CCR’s “Ramble Tamble,” Beethoven’s “Pathetique,” and The Electric Six’s “Improper Dancing.”

I think I’m here because of nostalgia. I have no other explanation for the feeling I woke up to a few days ago when I thought to myself, “You know what song I’d like to hear today? ‘No Man’s Woman’ by Sinead O’Connor.” I haven’t heard the song in years and years, and probably would have never heard it in the first place if a friend of my wife hadn’t given her — not me — a copy of “Faith and Courage.”

She is more famous for doing crazy things than she is for her songs. I would imagine people 20 years from now will be surprised to learn she was a singer primarily and not just some upstart. If you think about it, the only two songs anybody ever thinks of when they think of Sinead is “Nothing Compares To You” and “The Song She Sang On SNL That Nobody Actually Remembers Because She Tore Up A Picture Of The Pope.” That was Bob Marley’s “War.”

I feel like I know way more about O’Connor’s personal life than her musical career, and that might be to her benefit. It’s like “Plastic Ono Band,” an album that only works emotionally if you know who John Lennon is and what band he was in, but who doesn’t know that? Even if you can’t list off the specifics of O’Connor’s life, you can ballpark the whole thing into one lumpy “she’s often emotional and upset” bag. Off the top of my head and with no research, I want to say that she fought to become a Catholic priest and was a lesbian for a stint, but I might be way off. What I do know is that she had a bald head for a while, and that was the first straw in herf controversy barn. Whether my facts are straight or not, the real truth is that I hang onto them, and they make her career more vivid in my imagination.

This is what I’ve longed to cling to all week. To be perfectly honest, the GSATM’s recently have fallen off my obsession radar, and that might have more to do with my own personal distractions than the quality of the music (”Smash You” deserves the title, for example, just as the Houston Rockets deserve to be NBA champs during those two years Michael Jordan wasn’t playing; just because the NBA wasn’t as interesting or as competetive doesn’t mean the winning team shouldn’t win–though I have probably argued for an asterisk). I’m hustling for work, turning down horrible looking jobs (yes, they still make jobs where you drive for an hour plus to sit in a windowless room smelling like old paper only to TEST for the job to see if you QUALIFY for an interview. An interview that won’t happen until the next day, by which time you will have realized you won’t take it even if they upped the offer to–get ready for it–$13 an hour), and preparing for our family’s first baby. I’ve got a lot on my mind, and the brain space that would normally be dedicated to repeat play dissection and obsession has to figure out where to get a will made and how to build a dresser with a changing table. So I need something more than just music. I need power.

Which brings us to “No Man’s Woman,” a the sonic equivalent of victory and the 1990’s. It’s the song I need at this moment, even if the context of the lyrics don’t relate to me/call into question my sexuality. “No Man’s” was clearly made in the post Alanis period of angry-musical-women production, but it happens to come with the context that has plagued and actually helps O’Connor’s career. Like I said earlier without any research, O’Connor has tried to become a priest. She’s a very spiritual person, and the song appears to be about her relationship with God. By the end.

Before the end, we get a trip down production memory lane, where sort-of dance beats walk us into the declaration that Sinead doesn’t wanna be no man’s woman. She’s giving up on guys. I don’t blame her. The lyrics border on hacky but stay just short of that perjorative by ringing true. What made “Nothing Compares To You” such a hit was that tear she cried during the video. It’s a sad song (or, at least, a sad sounding song), and that tear was validation. O’Connor’s career has been largely in support of that tear–seeing her protest the Catholic church, and speak out about any atrocity she wants to has all proven what we believed from that video: this girl takes it seriously. She can sing the hell out of these songs because she believes them.

This might technically qualify her as crazy if she weren’t a celebrity. Since we know who she is, this makes her a serious artist, one with little tolerance for compromise. As Viv Savage says, without a stage to perform on Sinead might get a bit stupid and go crazy. As it is, she’s a one-hit wonder everyone knows with a fantastic singing voice.

More on the relationship with God: maybe this is how the song transcends being weird that a straight guy like me would enjoy it so much. The song really about a person who’s sick of being betrayed and depressed (I get that) and finding the one thing that makes her feel great (I’d love that). It’s not that she doesn’t want a mate; it’s that she only wants to be her own person, which is pretty much the whole of O’Connor’s career.

I’m an emotional listener when it comes to songs like this: if the music and singing sounds like triumph, then I feel triumphant, forgiving all betraying lyrics there might be. This song starts kind of down and bitter. Just by having “No” in there, I get the negativity and I don’t think I’m wrong. By the end, O’Connor has used this title to describe what she wants to be by way of defining what she never wants to be. I really get this. I struggle with what I want to accomplish, but I know exactly what I don’t want to do. This is because I’m a negative, suspicious person. I must have hope that there’s hope for people like me, and the musicality of “No Man’s” provides it. Around the 1:45 mark, we get the first truly joyous synergy of Sinead’s voice and the instruments, when she describes the one who “Never does me harm/Never treats me bad” (implying there have been others who HAVE treated her bad and done her harm). We get one more half-chorus until we return to the final beautiful chorus-mantra. The production kicks in strings and drums and becomes everything “Rent” wanted to be without the Broadway shmaltz. O’Connor could have described the song’s that way: “I don’t know what it is, but it’s not ‘Rent.’”

—Phillip Mottaz

Posted in BlogComments (0)

Advertisement

Greatest Song At This Moment - The Ramones “Smash You”


bestsongs
Written By Phillip Mottaz

Dedicated to those songs that I can’t stop playing, humming, or thinking about; the 4+ minutes you fall head-over-heels in love with. Past instances have included Matthew Sweet’s “Girlfriend,” Led Zeppelin’s “C’mon Everybody,” and M.I.A.’s “Paper Planes.”
Read the full story

Posted in BlogComments (2)

In Case You Missed It - The Tripwire Week In Review


Jay Bennett

Unfortunately, this week was dominated by the very sad news of Jay Bennett’s passing. So while we spoke to Maria Taylor, Ladytron, Mastodon, Landmine Marathon and Torche, and premiered the video for These United States’ “Honor Amongst Thieves”, this week our thoughts are on Jay and his family. Here is The Tripwire week in review.
Read the full story

Posted in BlogComments (0)

New Music Thursday - Twin Crystals


twincrystal

Yup, we did it. We were able to find two new Crystal bands in consecutive weeks. Last week it was the Euro-dance Kitsune product Crystal Fighters, this week it’s Vancouver’s psychedelic-punk-pioneers Twin Crystals. But don’t be scared off by the name.
Read the full story

Posted in BlogComments (0)

  • Latest
  • Popular
  • Comments
  • Tags
  • Subscribe
 

Newsletter Signup

Tripwire TV

 

Podcast

The Tripwire Podcast 050

The Tripwire Podcast 050

Featuring music from: Malcolm Middleton, Blue Roses, Brendan Benson, Howling Bells, Greycoats, The Temper Trap, Holy Ghost!, Discovery, Minitel Rose, Starlight Mints, Possum Dixon, Evan Voytas, and many more. Also, I dedicated the second half of the program to acknowledge the recent passing of a courageous little boy named Pablo Thrailkill Castelaz. Pablo lost his battle to cancer last Saturday, June 27th...

Read the full story

Contests

Win WeSC Headphones and/or Adam Freeland’s Latest CD

English musician Adam Freeland released his new album entitled Cope(TM) on June 9th, and the work is said to be Freeland’s most ambitious project, featuring collaborations with Tommy Lee (that’s right, of Mötley Crüe), Joey Santiago (The Pixies), Twiggy Ramirez (NIN, Marilyn Manson), Jerry Casale (DEVO), and Brody Dalle (The Distillers, Spinnerette). We here at [...]

Read the full story

Friends