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	<title>The Tripwire &#187; Jagjaguwar</title>
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		<title>For Emma, Forever Ago</title>
		<link>http://www.thetripwire.com/reviews/2009/01/05/for-emma-forever-ago-2/</link>
		<comments>http://www.thetripwire.com/reviews/2009/01/05/for-emma-forever-ago-2/#comments</comments>
		<pubDate>Mon, 05 Jan 2009 07:06:48 +0000</pubDate>
		<dc:creator>Derek Evers</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Best Of 2008]]></category>
		<category><![CDATA[Bon Iver]]></category>
		<category><![CDATA[For Emma Forever Ago]]></category>
		<category><![CDATA[Jagjaguwar]]></category>

		<guid isPermaLink="false">http://www.thetripwire.com/?p=15142</guid>
		<description><![CDATA[<i>For Emma, Forever Ago</i> is one of the most authentic, original and organic folk albums in recent memory. Justin Vernon (aka <a href="http://www.myspace.com/boniver" target="new"><b>Bon Iver</b></a>) captured, with staggering perfection, the sound of a cold, isolated winter in Wisconsin. Undeniably, the story of his retreat into solitude has been romanticized to a certain degree, but it is not difficult to hear this landscape in his music. Vernon’s evocative lyricism and minimalist melodies made <i>For Emma</i> feel intimate, even conversational at times (“in the morning I’ll call you”). The album flows with a narrative trajectory and each song tells its own story. From the cathartic yelps of “Skinny Love” to the collected resignations of “Re: Stacks”, Vernon poignantly reflects the universal need for self-reflection. His humility only enhanced the mystique he constantly shrugged off and Bon Iver’s live band incarnation saw every track reaching new heights. <i>For Emma</i> may not be a pioneering effort musically, but the final product is one of extreme integrity and severe beauty. --Michael Cranston]]></description>
			<content:encoded><![CDATA[<img src="http://www.thetripwire.com/wp-content/uploads/2009/01/bonivercd.jpg" /><br />Best Records Of 2008, #3 - Bon Iver<br />For Emma, Forever Ago<br />Jagjaguwar<br />02.19.08<p>If there was an award for label of the year, it would have to go to <a href="http://www.jagjaguwar.com/" target="new">Jagjaguwar</a>. With already 3 records on our top 15 list (<a href="http://www.thetripwire.com/reviews/2009/01/03/receivers-2/">#5</a>, <a href="http://www.thetripwire.com/reviews/2009/01/01/women/">#6</a>, <a href="http://www.thetripwire.com/reviews/2008/12/23/best-records-of-2008-9-tie-the-stand-ins/">#14</a>), the fourth and final Jagjaguwar release on our list comes in as our third best record of 2008.<br />
<span id="more-15142"></span><br />
<i>For Emma, Forever Ago</i> is one of the most authentic, original and organic folk albums in recent memory. Justin Vernon (aka <a href="http://www.myspace.com/boniver" target="new"><b>Bon Iver</b></a>) captured, with staggering perfection, the sound of a cold, isolated winter in Wisconsin. Undeniably, the story of his retreat into solitude has been romanticized to a certain degree, but it is not difficult to hear this landscape in his music. Vernon’s evocative lyricism and minimalist melodies made <i>For Emma</i> feel intimate, even conversational at times (“in the morning I’ll call you”). The album flows with a narrative trajectory and each song tells its own story. From the cathartic yelps of “Skinny Love” to the collected resignations of “Re: Stacks”, Vernon poignantly reflects the universal need for self-reflection. His humility only enhanced the mystique he constantly shrugged off and Bon Iver’s live band incarnation saw every track reaching new heights. <i>For Emma</i> may not be a pioneering effort musically, but the final product is one of extreme integrity and severe beauty. &#8211;Michael Cranston</p>
<p><a href="http://www.jagjaguwar.com/" target="new">Jagjaguwar</a></p>
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		<title>Dead Oceans Keeps Growing With Akron/Family</title>
		<link>http://www.thetripwire.com/news/2008/12/09/dead-oceans-keeps-growing-with-akronfamily/</link>
		<comments>http://www.thetripwire.com/news/2008/12/09/dead-oceans-keeps-growing-with-akronfamily/#comments</comments>
		<pubDate>Tue, 09 Dec 2008 18:41:21 +0000</pubDate>
		<dc:creator>P. Elizabeth Cawein</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Akron/Family]]></category>
		<category><![CDATA[Dead Oceans]]></category>
		<category><![CDATA[Jagjaguwar]]></category>
		<category><![CDATA[Secretly Canadian]]></category>

		<guid isPermaLink="false">http://www.thetripwire.com/?p=14253</guid>
		<description><![CDATA[It's hasn't even been two years since <a href="http://en.wikipedia.org/wiki/Phil_Waldorf">Phil Waldorf</a> left <a href="http://www.misrarecords.com/">Misra Records</a> to form <a href=http://www.deadoceans.com/">Dead Oceans</a> alongside <a href="http://www.secretlycanadian.com/">Secretly Canadian</a> and <a href="http://www.jagjaguwar.com/home.php">Jagjaguwar</a>, and in the past six months Dead Oceans has added four bands to its growing and increasingly impressive roster of artists. The latest to jump on board is <b>Akron/Family</b>, who previously recorded for <a href="www.younggodrecords.com/">Young God</a>.]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.thetripwire.com/wp-content/uploads/2008/12/akronfamily.jpg"><img src="http://www.thetripwire.com/wp-content/uploads/2008/12/akronfamily.jpg" alt="" title="akronfamily" width="500" height="333" class="alignnone size-full wp-image-14258" /></a></p>
<p>It&#8217;s hasn&#8217;t even been two years since <a href="http://en.wikipedia.org/wiki/Phil_Waldorf">Phil Waldorf</a> left <a href="http://www.misrarecords.com/">Misra Records</a> to form <a href=http://www.deadoceans.com/">Dead Oceans</a> alongside <a href="http://www.secretlycanadian.com/">Secretly Canadian</a> and <a href="http://www.jagjaguwar.com/home.php">Jagjaguwar</a>, and in the past six months Dead Oceans has added four bands to its growing and increasingly impressive roster of artists. The latest to jump on board is <b>Akron/Family</b>, who previously recorded for <a href="www.younggodrecords.com/">Young God</a>.<br />
<span id="more-14253"></span><br />
The band will release its still untitled fourth album, the follow-up to 2007&#8217;s <i>Love is Simple</i>, in April. The album will mark the band&#8217;s first studio recording as a three-piece following the 2007 departure of Ryan Vanderhoof to, apparently, <a href="http://www.pitchforkmedia.com/article/news/46587-vanderhoof-leaves-akronfamily-for-buddhist-center">join a Buddhist commune</a>. Bassist and multi-instrumentalist Miles Seaton said the record is &#8220;not too heavy and not too clever.&#8221; </p>
<p><i>It started out being really inspired by American soul and West African music. We&#8217;re all still in love with American classic rock music, but [the new record] is inspired by many different directions. I&#8217;m really excited about the shifting voice of the narrative on this record. The lyrics, thematically, are shaped in this really organic and natural way around what is happening &#8212; something that is very real and true to us.</i></p>
<p>Seaton said it&#8217;s by no means a new Akron/Family, but that the album represents some extremes they haven&#8217;t before explored. The band will play some shows to celebrate New Year&#8217;s beginning December 28 in Boston, and closing out the year at The Knitting Factory in New York.</p>
<p><a href="http://www.akronfamily.com/">Akron/Family</a><br />
<a href="http://www.deadoceans.com/">Dead Oceans</a></p>
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