
[Micachu and The Shapes at the Levi’s®/FADER Fort in Austin, TX]
You might say Micachu raised some eyebrows down in Austin during SxSW in March. People were either peeing their pants or on one another each time the Londoner and her Shapes kicked out helpings of their schizo-pop. Words and phrases like “fresh,” “yikes,” and “oh, good heavens,” were thrown around with equal abandon. BBQ sauce was spilled. Chaos ensued. All that’s bound to happen again this summer when Micachu returns for a set of US tour dates. The wave of epileptic fits begin in Chicago!
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Words and interview by Derek Evers
Video by Hanly Banks
It was the Tripwire day at the Levi’s®/FADER Fort, and I’m talking to Women as we’re all anticipating the spectacle that will be the first ever Tinted Windows performance, when in walks Devo (in full garb mind you). In one of, if not the, most surreal moments of my career, I witnessed all of Devo walking past me and into the dressing room as Taylor Hanson and James Iha walk out. Seriously, you can’t script this stuff.
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It’s no secret we’re fans of Women; aside from the On The Cover feature we ran last November, we surmised that that their self-titled debut was the 6th best record of 2008. So when I was asked what band I would most like to see play the Tripwire day at the Levi’s®/FADER Fort, the choice was simple.
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Imagine for a moment that you don’t live in the United States (for those of you outside of America, it should be a fairly easy task). Now picture your first trip visiting the States is a stop in the middle of Texas during a giant music festival. And Hatcham Social frontman Toby Kidd thought television exaggerated the American lifestyle.
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[Photo by Ethan Saks]
Is it too much of a pun to say we’re getting bored of “So Bored”? To be fair to Nathan Williams — aka Wavves — he wrote it and it is one hell of a catchy tune, but we heard it a lot at SxSW, only to find out at subsequent non-Wavves shows that the Vivian Girls were also covering and playing it live. But then we heard our 8-bit heroes Anamanaguchi’s version of it, taking it out of the garage rock murk and giving it new life. Now we’re pumped on it again.
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