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	<title>The Tripwire &#187; Pelican</title>
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		<title>Winter Hours</title>
		<link>http://www.thetripwire.com/news/2009/05/18/winter-hours/</link>
		<comments>http://www.thetripwire.com/news/2009/05/18/winter-hours/#comments</comments>
		<pubDate>Mon, 18 May 2009 16:51:17 +0000</pubDate>
		<dc:creator>Rob Browning</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Black Flag]]></category>
		<category><![CDATA[ISIS]]></category>
		<category><![CDATA[Jesu]]></category>
		<category><![CDATA[Pelican]]></category>
		<category><![CDATA[Planks]]></category>
		<category><![CDATA[Swans]]></category>
		<category><![CDATA[Tombs]]></category>
		<category><![CDATA[Winter Hours]]></category>

		<guid isPermaLink="false">http://www.thetripwire.com/?p=23313</guid>
		<description><![CDATA[While <i>Winter Hours</i> is staunchly abrasive, if you listen closely, there are definite filigrees of melody throughout. Little sonic oases like "The Great Silence" offer small periods of respite with clean guitar and more atmospheric tones, but this is not a record for the faint of heart. <i>Winter Hours</i> is definitely not going to be the soundtrack for your next holiday gathering. ]]></description>
			<content:encoded><![CDATA[<p>Brooklyn is experiencing quite the revival when it comes to heavy music. Or maybe it’s just that people outside of NYC are taking notice again. Hardcore and metal have always thrived in The Rotten Apple in the face of trends, with bands like Batillus and So Hideous My Love receiving a lot of attention of late. On all the up and comers, <a href="<br />
http://www.myspace.com/tombsbklyn" target="new"><b>Tombs</b></a> are definitely one of the biggest Brooklyn success stories. Since their inception in 2007, their EP on singer/guitarist Mike Hill’s <a href="<br />
http://www.blackboxrec.com/" target="new">Black Box Recording</a> has sold out a couple of pressings and last year’s split 12” with German metal merchants <a href="http://www.myspace.com/walkingonplanks" target="new">Planks</a> continues to sell briskly, especially on the heels of their tour with <a href="http://www.isistheband.com/" target="new">Isis</a> and <a href="http://www.myspace.com/pelican" target="new">Pelican</a>.<br />
<span id="more-23313"></span><br />
All these factors have heightened the anticipation for a full-length. The new record is called <i>Winter Hours</i> and its aptly named. There is very little that is light here, whether it be tonally or texturally, but what did you really expect? They are a metal band from Brooklyn called Tombs, and on <a href="http://www.relapse.com/" target="new">Relapse</a>, no less. Mike Hill and company make a fearsome noise that will take your ears prisoner and do very bad things to them. The trio sounds a lot like Neurosis doing their favorite <a href="http://en.wikipedia.org/wiki/Black_Flag_(band)" target="new">Black Flag</a> tunes at <a href="http://www.myspace.com/swansaredead" target="new">Swans</a> tempos. While drums (and your ears) are given very little respite over the ten tracks, Tombs remain decidedly monolithic regardless of the tempo, hell-bent on crushing anything in their path. After the almost six-minutes of caustic sound the opening &#8220;Gossamer&#8221; subjects you to, the opening of &#8220;Golden&#8221; pummels you from the drop before adding insult to injury and getting even heavier.  And you’re not even at track three yet, so strap on in.</p>
<p>Caustic tones are the order of the day on <i>Winter Hours</i>. Tracks like &#8220;Filled With Secrets&#8221; are brash and excoriating with very little in the way of mercy for your eardrums. &#8220;Merrimack&#8221; is a departure of sorts, using smoother tones to invoke a <a href="http://www.myspace.com/officialjesu" target="new">Jesu</a>/Isis feel. In fact, a lot of the quieter moments on <i>Winter Hours</i> recall Justin Broderick, especially the end of &#8220;Filled With Secrets&#8221;. It sets up the epic &#8220;Seven Stars The Angel Of Death&#8221; like a jab to your chest setting up a right cross to your face, but you’ll like it anyway. While <i>Winter Hours</i> is staunchly abrasive, if you listen closely, there are definite filigrees of melody throughout. Little sonic oases like &#8220;The Great Silence&#8221; offer small periods of respite with clean guitar and more atmospheric tones, but this is not a record for the faint of heart. <i>Winter Hours</i> is definitely not going to be the soundtrack for your next holiday gathering. Unless you’re perhaps a member of the Manson family.</p>
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		<title>Spoils Of Failure</title>
		<link>http://www.thetripwire.com/news/2009/03/18/spoils-of-failure/</link>
		<comments>http://www.thetripwire.com/news/2009/03/18/spoils-of-failure/#comments</comments>
		<pubDate>Wed, 18 Mar 2009 16:39:55 +0000</pubDate>
		<dc:creator>Rob Browning</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Buried Inside]]></category>
		<category><![CDATA[Cradle of Filth]]></category>
		<category><![CDATA[Daturah]]></category>
		<category><![CDATA[Earthless]]></category>
		<category><![CDATA[Heavy Metal Parking Lot]]></category>
		<category><![CDATA[ISIS]]></category>
		<category><![CDATA[Pantera]]></category>
		<category><![CDATA[Pelican]]></category>
		<category><![CDATA[Sleep]]></category>
		<category><![CDATA[Spoils Of Failure]]></category>

		<guid isPermaLink="false">http://www.thetripwire.com/?p=19383</guid>
		<description><![CDATA[It’s been four years since their Relapse debut, but <a href=”http://www.buriedinside.com/” target=”new”><b>Buried Inside</b></a> has not been idle in that time. Few bands have lasted as long or progressed as much with each release. Their Ottawa bailiwick puts them in the same camp of bands like Germany’s equally stunning <a href=”http://www.myspace.com/daturah” target=”new”>Daturah</a> that don’t see much of a presence stateside, but this record is well worth searching out. If you like your metal progressive musically as well as politically, the <i>Spoils Of Failure</i> may very well be your gain.]]></description>
			<content:encoded><![CDATA[<p>Metal fans have always gotten a bad rap from the populace at large. An easy target for pretentious new-school douchebags smugly snickering their way through <i>Heavy Metal Parking Lot</i>, the genre maintains the same quotient of sub-literate bozos as any other, but with a refreshing lack of pretension (for the most part). The corpse-paint set are pretty silly, but talk to the average adult metal fan who’s favorite artist isn’t <a href=”http://www.pantera.com/” target=”new”>Pantera</a> or isn’t <a href=”http://www.cradleoffilth.com/” target=”new”>Cradle Of Filth</a> and you’ll find them to be an educated, well-mannered lot. It’s the new-school of contemporary metal vocals that may well be the main stumbling block for the average punter. The at best barked/at worst unintelligible vocals that typify the genre tend to obfuscate any intelligent commentary you’d find therein.<br />
<span id="more-19383"></span><br />
Vocals aside, it’s a good time for bands that like to write concept records and stretch things out a bit. Doom franchises like isn’t <a href=”http://www.myspace.com/earthless” target=”new”>Earthless</a> are extending the boundaries well past the single song/one hour paradigm instituted by isn’t <a href=”http://en.wikipedia.org/wiki/Sleep_(band)” target=”new”>Sleep</a>’s <i>Jerusalem</i>, and the average metal song of today is creeping steadily past five minutes. So it should be no surprise that every song on <a href=”http://www.buriedinside.com/” target=”new”><b>Buried Inside</b></a>’s <i>Spoils Of Failure</i>, save for a single track, stretches past the six minute mark. While their isn’t <a href=”http://www.relapse.com/” target=”new”>Relapse</a> debut, <i>Chronoclast</i>, was linked by the concept of society’s use of time as an imperialistic tool, Spoils is of a vaguer focus, railing against broad topics like eugenics as well as specifically Canadian societal ills like the Westray Mine disaster or Walkerton water pollution scandals. Whether the issues are micro or macrocosmic, Buried Inside sure are pissed about them.</p>
<p>The eight songs that comprise <i>Spoils Of Failure</i> have no formal names, save for the Roman numerals that denote their order. Each track displays the musicianship we have come to expect from bands like <a href=”http://www.isistheband.com/” target=”new”>Isis</a> and <a href=”http://www.myspace.com/pelican” target=”new”>Pelican</a>, with guitarists Andrew Tweedy and Emmanuel Sayer playing off each other nicely. Both are equally adept at playing textural parts or soaring lead lines and it’s that ability to play ripping single note parts over the pummeling onslaught that bedrocks <i>Spoils Of Failure</i> that sets Buried Inside apart from the death-grunting masses. Three out of the five players do vocals, although the lion’s share is handed by sound manipulator Nick Shaw. Rest assured, genre purists: <i>Spoils of Failure</i> features no Halfordian hi-jinks, just throat-shredding vocals in the lower register with the odd errant wander into the world of melody. </p>
<p>It’s been four years since their Relapse debut, but Buried Inside has not been idle in that time. Few bands have lasted as long or progressed as much with each release. Their Ottawa bailiwick puts them in the same camp of bands like Germany’s equally stunning <a href=”http://www.myspace.com/daturah” target=”new”>Daturah</a> that don’t see much of a presence stateside, but this record is well worth searching out. If you like your metal progressive musically as well as politically, the <i>Spoils Of Failure</i> may very well be your gain.</p>
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